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The glassworker: A prestige

Pakistan’s 1st fully handrawn animated film’s trailer by 25 year old Usman Riaz, hit the cinemas on October -25 -2016, and left the audience awestricken. A marvelous piece of art fused with creativity. The audience has expected it to be a masterpiece.

The Glassworker (Urdu: شیشہ گر‎) is an upcoming Pakistani Urdu-language animated film. The film is Pakistan‘s first hand drawn animated film. The story of the film revolves around a boy named Vincent who works at his father’s glass shop where he falls in love with a girl who frequently visits the shop. The animators of the film are from Pakistan as well as Malaysia and South Africa.

In a recent post by TED  Follows, Usman scribed in detail as to why he decided on making his characters speak in Urdu for the film. “I grew up in Pakistan watching animated films made in Japan and America. When I was a child, the worlds of Studio Ghibli and Disney were one and the same to me. I watched most of the Japanese films with English subtitles, and I never found it strange that characters living in imaginary European settings behaved as though they were from Japan — with Japanese customs and speaking in Japanese. Similarly, I never found it strange that Mulan, which is set in China, or Aladdin, set in the Middle East, featured teenagers speaking with American accents and behaving mostly like Western teens,” he wrote.


“I want to harness this very potential in my own hand-animated film,The Glassworker. I have chosen to place the story in an imaginary European setting. My characters live in political and economic conditions that resemble Pakistan — and they will speak Urdu, my national language.”

Usman describes in detail why Urdu is so important to him and said, “First and foremost it is a rich, historically significant language, and I want to introduce people who may be unfamiliar with it to its beauty.”

“Secondly, I want to shake things up in my own country: Pakistan is so heavily influenced by colonial rule that it has never really gotten a chance to explore itself in a modern and subtle way. Pretentious old artists still pine for dead Urdu poets, while new artists chase after approval from the West. Pakistani youth only speak in English, and have little regard for Urdu, but many people in Pakistan are guilty of holding English up as the more valued language. Why not turn that on its head? Why not create a predominantly Western setting and make the characters speak better Urdu than Millennials in Pakistan?,” he shared.

By: Ujala A. Shaikh





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